Homo Pentecostus

‘Homo Pentecostus is a deliciously rich fusion of confessional theatre and ecstatic dance.’ – Time Out

‘A nuanced piece of personal, poetic and thoughtful theatre that manages to entertain while packing a complex emotional punch.’ – Arts Hub

‘There are moments in this show that touched me, moments that shook me and moments that sing and dance and shout so loudly, the show leaps from the stage and becomes sublime.’ – Keith Gow, Theatre First

Awaken your spirit. Shake up your perceptions. Homo Pentecostus is an ecstatic testament to resilience, love, and the pursuit of personal truth.

Join an odyssey of self-discovery and liberation. Actor, dancer, and writer, Joel Bray invites you to an intimate exploration of his secret queer identity within the confines of a 1990s Pentecostal Church.

As Australia's fastest-growing religion, Joel places Pentecostalism's allure, complexities, and profound impact at the fore—offering an insider's perspective on the intersection of identity, faith, and sexuality. 

Joel Bray, with co-director Emma Valente and co-performer Peter Paltos wrote Homo Pentecostus through a process of interviews with each other. The resulting work is a conversation between two Queer men discovering each other, their shared experiences of religion and culture and, just as importantly, their differences. 

Audiences enter a strange convention centre style space drenched in blue and encounter familiar artefacts of the 90s Pentecostal Church Joel remembers so well: cups of tea and coffee, white plastic chairs and an overhead projector. We follow the two characters as they wrestle metaphorically with memory and grief, and wrestle literally with each other and the chairs themselves.

Partake in a shared ritual that immerses you in the transformative power of music, movement, and collective ritual. Homo Pentecostus peels back layers of conflicting allure and hidden shame, to illuminate our quest to embrace our true selves. 

Homo Pentecostus premiered at the Malthouse Theatre, Melbourne in May, 2024 and will be touring to to the Perth Institute of Contemporary Art (PICA) in October, 2024.

Hero Image: Kristian Gehradte

Production Images: Tiffany Garvie


Homo Pentecostus has been supported by Creative Victoria through the Creative Ventures program. This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body. Co-Commissioned by Malthouse Theatre and Perth Institute of Contemporary Art.

Giraru Galing Ganhagirri

Photo by James Wright (2022)

Giraru Galing Ganhagirri means “The Wind Will Bring Rain” in Wiradjuri. It speaks to the implacable force of Country- of the assurance that, in nature, one thing follows another and the meeting of the elements of air and water. Always have and always will. In these times, solace is to be found in the ‘ancientness’ and endurance of Country. Whatever happens, the wind will always bring the rain.

This dance work on video, is the result of a collaboration between Wiradjuri choreographer Joel Bray, filmmaker James Wright and composer Daniel Nixon. Giraru Galing Ganhagirri is a multi-channel screen video installation of pure dance- a poetic, choreographic meditation on the elements. In a nod to ancient ceremony and filmed entirely on Joel’s ancestral Wiradjuri Country, Joel gently inhabits the landscape with his body literally ‘painted’ with Country.

This work premiered at the National Gallery of Australia as a part of the 4th National Indigenous Art Triennial, curated by Hetti Perkins, in 2022.

Giraru Galing Ganhagirri toured around Australia, as part of the National Gallery of Australia’s Triennial exhibition tour. It toured to the Humboldt Forum in Berlin, Germany, as part of the Songlines. Tracking the Seven Sisters exhibition, 2022, and exhibited at Blind Side Gallery, Melbourne for Midsumma Festival 2024.


Giraru Galing Ganhagirri was commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, created in consultation with Uncle James Ingram and Wagga Wagga Elders, and with support from City of Melbourne, Phillip Keir and Sarah Benjamin (the Keir Foundation), City of Port Phillip, Create NSW, Blacktown Arts, Arts Centre Melbourne, and Yirramboi Festival 2020

As a fundraising campaign in support of the artist, limited edition Art Prints from Giraru Galing Ganhagirri are available for purchase. For more information, click the button below:

GARABARI

“An enlivening experience
that celebrates our earth,
our first peoples and
everyone else in the freest
way imaginable”

Lee Christofis - Limelight Magazine

Plunge into the swirling depths of a new civic ritual by Joel Bray. Bodies, light and sound entangle and loop to reveal hidden meanings in a reimagined corroboree inspired by ancient ceremonial practices.

Joel Bray Dance invites you to gather in a contemporary dance celebration inspired by corroboree. 

Across the globe, First Nations cultures have harnessed the enduring power of rituals to transmit knowledge. Countless generations have undergone rites of passage that have left them changed – closer to others, and more attuned to themselves.    

By returning to these unchanging rituals, we are changed as we grow in wisdom and stature in the community.    

Garabari draws from this rich well of meaning to create a celebratory dance work that plugs you into this wellspring of energies.    

Garabari features lavish costumes by Wiradjuri fashion designer Denni Francisco, driving beats by Byron Scullin and otherworldly lighting and projection by Katie Sfetkidis.

Garabari was crafted in close collaboration with the Wiradjuri community in and around Wagga Wagga. The work is performed by five Indigenous and non-Indigenous dancers, with a little help from you.  Join the circle and dance.

A key element of this work is that it was made in genuine collaboration with the Wiradjuri community in Wagga-Wagga and the Riverina. Uncle Christopher Kirkbright, Joel’s father, is the Project Elder providing oversight and insight to the creative process. The creative team spent time on Country yarning with the elders, offering work-in-progress showings to the community and workshops for young people. In addition, local Elders, artists and youth were invited to contribute designs, songs and stories that have been woven into the work. Garabari is a work Contemporary Performance o f scale, that disrupts Western ideas of individual authorship and, like a ritual should, feels like the common property of the whole community.

Joel Bray was the inaugural Choreographer-In-Residence at Victoria’s flagship dance company CHUNKY MOVE, 2021-2022.

Premiere Season: Arts House, Melbourne, December 2022.

GARABARI is in pre production for an Australian tour in 2025 and international touring 2026.

Contact Veronica@joelbraydance.com for more information.


Garabari is supported through the Restart Investment to Sustain and Expand (RISE) Fund – an Australian Government initiative, the Australian Government through the Indigenous Languages and Arts program and through the Australia Council for the Arts, the Victorian Government through Creative Victoria, BlakDance through BlakForm, the Besen Family Foundation, and Eastern Riverina Arts.

Garabari was commissioned by Chunky Move with the support of the Tanja Liedtke Foundation.

Show images: Tiffany Garvie & Jeff Busby

Video: NoN Studio

Daddy


Photo: James Henry.

Photo: James Henry.

Photo: Bryony Jackson

Photo: Bryony Jackson

Photo: Bryony Jackson

Photo: Bryony Jackson

Photo: Bryony Jackson

Photo: Bryony Jackson

Photo: Bryony Jackson

Photo: Bryony Jackson

Photo: Bryony Jackson

Photo: Bryony Jackson

Joel has daddy issues.

And his insatiable cravings for father figures always leave him wanting more.

Don’t tell his dentist, but Joel Bray’s cravings are getting out of hand. He’s looking to live the sweet life, yet the sugar hits of nostalgia and fantasy are all too short-lived, and behind it all there’s a need that can never be sated.

Daddy is the latest work from one of the most electric new figures in Australian dance. Here he probes one of the paradoxes of our age: when so much is on offer, why are we left so hungry?

From the sugar-coated idyll of childhood reminiscence to the glazed excesses of queer adulthood, Joel’s story proves that a sweet tooth is a dangerous thing. Short-lived highs give way to the inevitable comedowns before the cycle begins all over again. And like a kid in a candy store, an imperial hunger for Aboriginal Australia consumes all it encounters – land, women and children – like fistfuls of sugar.

Hilarious, provocative and heartfelt, this DADDY tickles the nerve endings of desire whilst prodding the cavities left by colonisation. Featuring Joel Bray’s trademark confection of conversation, dance and all-you-can-eat audience participation, Daddy is a sweet feast with a deadly aftertaste.

Creator, Choreographer, Performer Joel Bray / Composition & Sound Design Naretha Williams / Lighting Design Katie Sfetkidis / Set & Costume Design James Lew / Collaborating Director Stephen Nicolazzo / Collaborating Choreographer Niharika Senapati / Dramaturgy SJ Norman / Audio Technical Support Daniel Nixon / / Lighting Associate Nicholas Moloney / Piano Niv Marinberg / Voices Josh Price, Jason Tamiru / Technical & Stage Manager Cecily Rabey / Premiere season Producer Josh Wright

Hero Image: James Henry. Photography by Bryony Jackson.


Daddy demonstrated that we are indeed living in a blak queer cultural renaissance. And while there are struggles yet to come, unique perspectives are finally being celebrated.
— Timah Ball, ABC Arts
And carefully, gently, with a mixture of irresistible humour and breathtaking, desolating honesty, he brings his audience with him into this central trauma of his life. It’s a trauma that opens infinitely, because it’s at once deeply personal and part of much larger colonial histories. But the truth is that history is always personal.
— Alison Croggon, Witness Performance
 

Daddy premiered Wed 8 – Sun 12 May, 2019
Arts House as part of Yirramboi Festival

Daddy Seasons

2019: Yirramboi Festival / Liveworks / Brisbane Festival

2020: Arts Centre Melbourne / Auckland Arts Festival

2021: Darwin Festival

2022: Perth Festival / Chillout Festival

2023: World Pride, Sydney

2024: Tanzmesse, Dusseldorf, Germany

Daddy was commissioned by the City of Melbourne through Arts House, YIRRAMBOI Festival, and the Arts Grants Program; and by Performance Space, Sydney. It was developed for YIRRAMBOI’s KIN Commissions and the Liveworks Festival 2019.

Biladurang


Biladurang Image 3 by Pippa Samaya.jpg
Biladurang Image 7 by Pippa Samaya.jpg

Joel Bray is blak. Well, he’s white, but blak. Y’know? He’s trapped in a hotel room somewhere, and you, the audience, are trapped with him. Pull on a bathrobe and share a uniquely immersive and intimate encounter with Bray in the hilarious and revelatory Biladurang.

In this nowhere place Bray takes a pause, looks over his shoulder and takes a good look at his life, asking: ‘Is this where I am supposed to be? Is this who I am supposed to be? What is all this? The drugs? The sex? The cigarettes?’

Biladurang is loosely based on the traditional story of the platypus. It’s a story Bray grew up hearing, identifying with this mutant offspring who doesn’t seem to belong and finds himself roaming in search of a home.

This award-winning confessional solo is physical, tender, funny and dark. It’s the perfect dance-theatre one-night stand.

Warnings: Nudity, adult concepts and coarse language. Ages 18+

Creator & Performer / Joel Bray
Dramaturge / Daniel Santangeli
Music / Kate Carr
Producer /Josh Wright

Photos: Pippa Samaya

 
A fraught, voyeuristic intention that is difficult to watch, but impossible to turn away from
— Stage Whispers
Provocatively candid and engaging.
— Dance Australia


Biladurang was first presented at Melbourne Fringe 2018 with support from Melbourne Fringe, CHUNKY MOVE, Arts House, Ilbijerri and the Wilin Centre. Following a sell-out season the work won three Fringe Awards including Best Performance.

Dharawungara

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Dharawungara by Joel Bray (Complexity of Belonging) is a collision of rituals. Following his successful work Biladurang, the audience is invited to reimagine the theatre as a ceremonial ground of light and sound, as Joel explores how to breathe life into this Wiradjuri rite he has only ever read about. Naretha Williams joins Bray onstage as songwoman, and her driving beats conjure the space around us. Together they create a site of intersection between his ancestral ceremonial practice, our collective imagination and the realities of colonization.

Concept, Direction & Choreography Joel Bray
Performer Joel Bray
Lighting Design Amelia Lever-Davison
Sound Artist Naretha Williams
Costume Kate Davis

Photos by Pippa Samaya


9 November – 17 November 2018
Chunky Move, Melbourne

 

★★★★☆

The Age/ Sydney Morning Herald

 

It’s this raw mix of Aboriginal identity with European-influenced contemporary performance art that makes Dharawungara, in all its complexity, something unique. Serious subject, peppered with humour, Dharawungara has a lot to chew on …

Herald Sun

 

When he begins the dance, the shift is remarkable: we watch as the elements Bray has casually put together are transformed into dance of urgency and beauty, as he himself begins to embody the spirit of transformation, of crossing the threshold into another state of being. There’s no pretence to “authenticity” here: what we are watching is not only a process of reclamation, but an act of creation.

— Witness Performance